The project has come to an end now. I throughly enjoyed this term as it was my first, real attempt at writing, directing and shooting. At times it was stressful, as I was running a production all on my own however I am more than pleased with my final piece.
I have learnt so much this year and cannot wait to carry on growing and developing my knowledge and interests.
This blog is now closed.
Thursday, 19 March 2009
Wednesday, 18 March 2009
Evaluation - Question 7
Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
Looking back I have learnt that working independently is the best thing to do. I have also realised how massive the leap is from a continuity piece to a whole sequence and that creating an opening sequence is not as straight forward as it seems. When receiving the brief I thought it would be fairly easy to create a two minute opening title sequence. I decided to work independently as whilst I was working on my continuity piece there was a lot of chasing around I had to do. I was constantly relying on others and I was not happy. I thought it would be easier to work on my own rather than in a group. Also I seemed to be the only person in my class interested in exploring the genre, noir. I liked the idea of being different and being the only one interested in this genre.
I think it would have been a lot more easier if I had worked in a group. When it came to shooting I could not do everything at the same time, there were many things that I needed to have under control such as: the lighting and the framing so I had to ask my friends to help me. In this sense, working in a group would have helped greatly. Although I think if I worked in a group I think I would not have been happy. I had a very precise visual idea of how I wanted each one of my shots to look exactly. I feel I have grown more comfortable with editing, and setting up each frame. I have learnt how vital the micro elements are to a piece of film as together they convey meaning to its audienceIn regards to the final piece I feel the progression relies deeply on planning, construction and organisation. I have learnt how important it is to storyboard each frame avoiding last minute decisions and complications. Whilst shooting my preliminary task I storyboarded some shots but not all. This led to confusion and I feel it had a very rushed feeling to it. Fortunately this was a fairly simple task and when it came to the video brief I storyboarded everything and also re-did storyboards when my ideas changed. I feel I benefitted from this and I am glad I went through this difficult process because at the end of the day I created something I am proud of.
Looking back I have learnt that working independently is the best thing to do. I have also realised how massive the leap is from a continuity piece to a whole sequence and that creating an opening sequence is not as straight forward as it seems. When receiving the brief I thought it would be fairly easy to create a two minute opening title sequence. I decided to work independently as whilst I was working on my continuity piece there was a lot of chasing around I had to do. I was constantly relying on others and I was not happy. I thought it would be easier to work on my own rather than in a group. Also I seemed to be the only person in my class interested in exploring the genre, noir. I liked the idea of being different and being the only one interested in this genre.
I think it would have been a lot more easier if I had worked in a group. When it came to shooting I could not do everything at the same time, there were many things that I needed to have under control such as: the lighting and the framing so I had to ask my friends to help me. In this sense, working in a group would have helped greatly. Although I think if I worked in a group I think I would not have been happy. I had a very precise visual idea of how I wanted each one of my shots to look exactly. I feel I have grown more comfortable with editing, and setting up each frame. I have learnt how vital the micro elements are to a piece of film as together they convey meaning to its audienceIn regards to the final piece I feel the progression relies deeply on planning, construction and organisation. I have learnt how important it is to storyboard each frame avoiding last minute decisions and complications. Whilst shooting my preliminary task I storyboarded some shots but not all. This led to confusion and I feel it had a very rushed feeling to it. Fortunately this was a fairly simple task and when it came to the video brief I storyboarded everything and also re-did storyboards when my ideas changed. I feel I benefitted from this and I am glad I went through this difficult process because at the end of the day I created something I am proud of.
Evaluation - Question 6
What have you learnt about technologies from the process of constructing this product?
From the process of constructing this opening title sequence I have learnt a lot about several technologies I have come across and used. During the process of shooting I developed my knowledge of the equipment that was available to me. I used a DV camera for both tasks as I could not get access to a broadcast camera. When creating the preliminary task I used basic camera shots and a basic editing software, iMovie, as I did not feel the need to spend lots of time on this specific task and create something amazing. It was a short and simple yet fun task. I feel this was a good starting point as it allowed me to get familiar with the facilites I was going to be using again, very soon.
However when working on the video brief I learnt how to use the tripod more effectively whilst filming. My opening is very much dominated by extreme close-ups. The tripod enabled me to get closer, steadier extreme close-ups of my character and also allowed me to shoot from different angles. This time round I had more time to explore and experiment with the different techniques of using a tripod. I preferred having more time on to plan these little but vital elements. As I have been studing many openings closely I realised that the micro elements are crucial to an opening sequence. I felt the need to spent more time planning and carefully constructing several key things such as the setting, the lighting and the cinematography.
When it came to lighting I used a bright lamp and placed it directly above and positioned it closely to my actress. The mise-en-scene was simply a room with black walls. As the majority of the shots were close-ups of people I did not feel the need to spent a lot of time planning a huge mise-en-scene. I decided to film in the school drama room, I felt the black walls would work perfectly.
From the process of constructing this opening title sequence I have learnt a lot about several technologies I have come across and used. During the process of shooting I developed my knowledge of the equipment that was available to me. I used a DV camera for both tasks as I could not get access to a broadcast camera. When creating the preliminary task I used basic camera shots and a basic editing software, iMovie, as I did not feel the need to spend lots of time on this specific task and create something amazing. It was a short and simple yet fun task. I feel this was a good starting point as it allowed me to get familiar with the facilites I was going to be using again, very soon.
However when working on the video brief I learnt how to use the tripod more effectively whilst filming. My opening is very much dominated by extreme close-ups. The tripod enabled me to get closer, steadier extreme close-ups of my character and also allowed me to shoot from different angles. This time round I had more time to explore and experiment with the different techniques of using a tripod. I preferred having more time on to plan these little but vital elements. As I have been studing many openings closely I realised that the micro elements are crucial to an opening sequence. I felt the need to spent more time planning and carefully constructing several key things such as the setting, the lighting and the cinematography.
When it came to lighting I used a bright lamp and placed it directly above and positioned it closely to my actress. The mise-en-scene was simply a room with black walls. As the majority of the shots were close-ups of people I did not feel the need to spent a lot of time planning a huge mise-en-scene. I decided to film in the school drama room, I felt the black walls would work perfectly.
I also explored other techniques such as a light reflector. A fellow colleague is an absolute expert in the art of lighting (in the photo to the right). I thought this would add to and help create chiruscuro lighting I was aiming to create. Another thing that added greatly to my sequence was the use of fog. I wanted to create the illusion of my female character walking outside, so I decided to use a fog machine. (http://videokid-media.blogspot.com/2009/01/fog-machine.html). It fairly difficult and took several tries in trying to get all of this to show up on the camera. When it came to editing I found it hard to make that jump from iMovie to Final Cut Pro, so I did this in small steps. So once I had all my footage I created a rough cut on iMovie first (http://videokid-media.blogspot.com/2009/02/title-sequence-rough-cut.html). I felt this would be a good starting point and helped me through the process of editing. It gave me a rough idea of how I wanted my sequence to look and gave it more structure than a storyboard. As I wanted to pay homage visually to Sin City I then played around some of the clips on iMovie and then Final Cut (http://videokid-media.blogspot.com/2009/02/imovie-vs-final-cut-pro.html). Once I had finished experiementing I decided to edit everything on Final Cut (http://videokid-media.blogspot.com/2009/02/callums-mad-editing-skills.html), I felt everything looked more professional on this programme. I have learnt that the softwares available are not as hard as they seem. I found it very difficult to use at first, it took me time to adjust to it but I am glad I decided to use it in the end. With the help of my colleagues I managed to pull through and create a piece I am happy with.
Evaluation - Question 5
How did you attract/address your audience?
I address my audience through casting, sound and mise-en-scene. The protagonists in my opening are the same age group as target audience. I also used familiar music, conforming to the expectations of a film noir. The mise-en-scene is set in a familiar setting to the audience. The minority of the establishing shots take place in a working environment, allowing the audience can relate to the protagonist.
I address my audience through casting, sound and mise-en-scene. The protagonists in my opening are the same age group as target audience. I also used familiar music, conforming to the expectations of a film noir. The mise-en-scene is set in a familiar setting to the audience. The minority of the establishing shots take place in a working environment, allowing the audience can relate to the protagonist.
Evaluation - Question 4
Who would be the audience for your media product?
My target audience is middle-aged adults of both genders, but more so males as I feel this particular genre is more appealing to men. Noirs have the tendency to represent men as powerful and dominant. Men are represented in this way to maintain the patriarchal society even within a fictional world.
My film is a fresh new approach to the genre noir. It focuses on the alpha-male protagonists struggling, putting males into a different light this is appealing to women. It also features the stereotypical prostitues and promiscuous femme fatales, still maintaining the male side of the audience.
My film will appeal to male and females with an obscure film taste. It will appeal to adults who watch a film for the storyline, not because it has received a lot of publicity. I believe my audience would be a niche intellectual audience who crave films with a twist and leave you thinking.
Evaluation - Question 3
What kind of media institution might distribute your media product and why?
Dimension Films - It distributed such films as Sin City. I chose this institution as I felt my film was similar to Sin City. Visually inspired by the film, both my film and Sin City are sleek, classy yet sinister with mild violence.
Dimension Films - It distributed such films as Sin City. I chose this institution as I felt my film was similar to Sin City. Visually inspired by the film, both my film and Sin City are sleek, classy yet sinister with mild violence.
Evaluation - Question 2
How does your media product represent particular social groups?
My film focuses on the older generation - middle-aged adults. I feel my opening does not really focus on any social groups in particular but if it were to I feel the film represents the working class.
I cast Alan Fairnie as the role of the protagonist as I thought he would suit the mindset of a murderer and comes across as someone with a lot on his mind. My protagonist is focused, hard-working and always has a lot to do. I needed my character to look tired to create the illusion that he is staying up late. I filmed at the end of the day making sure Fairnie looked a little tired, but not exhausted. I thought this would work perfectly. However I used Ian Elmslie when it came to creating the voice-over. There was something I couldn't articulate with Alan. I think this is partly because Ian is a drama teacher. He is excellent when it comes to getting into character and I thought this would be the most sensible thing to do. I wrote up a script for Ian and described what kind of tone I was going for and he responded outstandingly.
I also cast Leanne Whittaker as the role of the femme fatale. I thought she would be perfect for the part as she is tall, slim and blonde. I thought the blonde and red would together nicely to pull off the seductive look. Whilst working with Leanne I suggested she wore something red. Originally I wanted her to be wearing a red dress with red heels. Fortunately Leanne improvised and suggested a red shirt with lipstick to match. The lips were a lovely feature and add greatly to the sequence.
My film focuses on the older generation - middle-aged adults. I feel my opening does not really focus on any social groups in particular but if it were to I feel the film represents the working class.
I cast Alan Fairnie as the role of the protagonist as I thought he would suit the mindset of a murderer and comes across as someone with a lot on his mind. My protagonist is focused, hard-working and always has a lot to do. I needed my character to look tired to create the illusion that he is staying up late. I filmed at the end of the day making sure Fairnie looked a little tired, but not exhausted. I thought this would work perfectly. However I used Ian Elmslie when it came to creating the voice-over. There was something I couldn't articulate with Alan. I think this is partly because Ian is a drama teacher. He is excellent when it comes to getting into character and I thought this would be the most sensible thing to do. I wrote up a script for Ian and described what kind of tone I was going for and he responded outstandingly.
I also cast Leanne Whittaker as the role of the femme fatale. I thought she would be perfect for the part as she is tall, slim and blonde. I thought the blonde and red would together nicely to pull off the seductive look. Whilst working with Leanne I suggested she wore something red. Originally I wanted her to be wearing a red dress with red heels. Fortunately Leanne improvised and suggested a red shirt with lipstick to match. The lips were a lovely feature and add greatly to the sequence.
Evaluation - Question 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
An opening title sequence is vital to a film. There are directors who spend millions of pounds just on the title sequence. It is the most important part of the film, it should draw the audience in without giving away too much detail.
My opening title sequence conforms to the codes and conventions of an existing title sequence by:
- establishing the narrative
- introducing the protagonist
- creating enigmas
- and drawing the audience in.
My opening title sequence also challenges the codes and conventions of this genre by:
- representing men in a different light
- portraying women as the more powerful characters
Sins of my Father is based around the genre of a modern film noir. The film itself has been set in 1991, but looks relatively modern. The visual technique used allows the idea to expand and develop further to the genre, neo-noir. Inspired by the film Sin City, the opening sequence shows visual reference to this film.
Although my opening follows the conventions of what is expected from a noir, I feel it also has its very own style. Common themes explored throughout my opening include crime, threat, murder, moral ambiguity and sexual motivation. Crime is an extremely obvious theme that takes place during the sequence. The voice-over works alongside the moving images and anchors these themes. This method is common in other noir style movies such as The Usual Suspects (1995) and Sin City (2005).
An opening title sequence is vital to a film. There are directors who spend millions of pounds just on the title sequence. It is the most important part of the film, it should draw the audience in without giving away too much detail.
My opening title sequence conforms to the codes and conventions of an existing title sequence by:
- establishing the narrative
- introducing the protagonist
- creating enigmas
- and drawing the audience in.
My opening title sequence also challenges the codes and conventions of this genre by:
- representing men in a different light
- portraying women as the more powerful characters
Sins of my Father is based around the genre of a modern film noir. The film itself has been set in 1991, but looks relatively modern. The visual technique used allows the idea to expand and develop further to the genre, neo-noir. Inspired by the film Sin City, the opening sequence shows visual reference to this film.
Although my opening follows the conventions of what is expected from a noir, I feel it also has its very own style. Common themes explored throughout my opening include crime, threat, murder, moral ambiguity and sexual motivation. Crime is an extremely obvious theme that takes place during the sequence. The voice-over works alongside the moving images and anchors these themes. This method is common in other noir style movies such as The Usual Suspects (1995) and Sin City (2005).
Wednesday, 25 February 2009
Wednesday, 11 February 2009
TWO DAYS TILL DEADLINE!!!!!!!!!!!!!!
Well, really its like a day and a half D;
ALMOST FINISHED! But I keep worrying and thinking I've forgotten about something.
Today I edited everything in Final Cut Pro. It's looking alot better.
The plan for the next two days are as follows:
Tomorrow
- add in titles
- find people/teachers, get opinions
- add music
Friday
- get voiceover
- edit edit edit everything
- BLOG THIS!
If all goes to plan, I should be done on time :)
As tomorrow I am looking at titles, I started to think about where I want them, how long I want them for. It was really difficult to judge without watching a title sequence! I was quite suprised at how hard it is to make these decisions.
So here are some title sequences!
Le, Fabuleux destin d'Amélie Poulain (The Fabulous Destiny of 'Amélie Poulain)
Directed by Jean-Pierre Jeunet.
Released in 2001.
This is an AMAZING piece of film.
I posted the title sequence here as I like how the titles are WITH the footage. If you look back at my rough edit (http://videokid-media.blogspot.com/2009/02/title-sequence-rough-cut.html), it features a few titles, but they are over black and I don't want this.
I love how the titles do not remain in the same place.
Depending where the subject is, for example:
The chin here is justified more to the right, hence the text to be placed on the left side.
Here is the opposite, which is still nice. Throughout the title sequence it does this. It features a nice variety of footage, as some of my footage is purposely justified I wish to do this.
I'm a Cyborg, But That's Okay
Directed by Park Chan-wook.
Released in 2007 or 08?
A film Jake influenced me to watch.
NOTE: The video above is the part 1 of the film, not just the title sequence.
I really liked the title sequence!
Of course it lived up to the expectations of the amazing Chan-wook.
I loved the random choice of positioning with the text. I think it's really effective and different.
A Scanner Darkly
Directed by Richard Linklater.
Released in 2006.
Another film that places text at different places.
I really like this technique!
I think this is something I will play around with tomorrow !
ALMOST FINISHED! But I keep worrying and thinking I've forgotten about something.
Today I edited everything in Final Cut Pro. It's looking alot better.
The plan for the next two days are as follows:
Tomorrow
- add in titles
- find people/teachers, get opinions
- add music
Friday
- get voiceover
- edit edit edit everything
- BLOG THIS!
If all goes to plan, I should be done on time :)
As tomorrow I am looking at titles, I started to think about where I want them, how long I want them for. It was really difficult to judge without watching a title sequence! I was quite suprised at how hard it is to make these decisions.
So here are some title sequences!
Le, Fabuleux destin d'Amélie Poulain (The Fabulous Destiny of 'Amélie Poulain)
Directed by Jean-Pierre Jeunet.
Released in 2001.
This is an AMAZING piece of film.
I posted the title sequence here as I like how the titles are WITH the footage. If you look back at my rough edit (http://videokid-media.blogspot.com/2009/02/title-sequence-rough-cut.html), it features a few titles, but they are over black and I don't want this.
I love how the titles do not remain in the same place.
Depending where the subject is, for example:
The chin here is justified more to the right, hence the text to be placed on the left side.
I'm a Cyborg, But That's Okay
Directed by Park Chan-wook.
Released in 2007 or 08?
A film Jake influenced me to watch.
NOTE: The video above is the part 1 of the film, not just the title sequence.
I really liked the title sequence!
Of course it lived up to the expectations of the amazing Chan-wook.
I loved the random choice of positioning with the text. I think it's really effective and different.
A Scanner Darkly
Directed by Richard Linklater.
Released in 2006.
Another film that places text at different places.
I really like this technique!
I think this is something I will play around with tomorrow !
Monday, 9 February 2009
London Continued
Yesterday I posted a short blog on my day, today I plan to continue with this :)--------------------
It took ages to get to London yesterday so the moment we got there, we ate! After we ate we visted China Town briefly then got to work. My first idea I posted yesterday in the blog below. I wanted to capture buildings from a distance and Jake suggested to do so by the thames. So from Oxford Street we walked to Waterloo East in the rain! The initial idea was to get somewhere high and shoot. I wanted to stand on the balcony in the photograph (far left) but it was Royal Festival Hall (best place for a gig ever), and I couldn't get up there =[
So instead I tried the same shot from many different angles. Here is a still of the next angle I tried. I liked the view and the dull clouds. When I took this I was just below the building in the image above. I think this shot is okay. I like the trees in shot (again, credit to Mr Saunders). I think the trees go with the tone of my film. There was just something about the trees, they had no leaves! I really liked this idea.
My next idea was to end my title sequence with a train driving by. I really like the sound, and this was just something I wanted to try. I guess this isn't really relevant, but I thought it was a nice idea.
Next I returned to the tree idea :)
But this time I got footage of random people walking by, I thought this could also work. Like a cut to a noisy, busy scene considering how calm the first few scenes are.
Also, I filmed people walking past me on the bridge. Again, just another spur of the moment idea. I like collecting random footage that could work. I have definately got more than enough footage, and tomorrow I will be working on it.
Sunday, 8 February 2009
THE LAST SHOT!
Both my teachers suggested a nice shot to end the title sequence and to start a new scene. Something outside. I really wanted to get a shot of a building so today I went to London with Jake, took some photographs and filmed some buildings and landscape shots. Jake was really helpful today and had lots of good suggestions. We did so much walking today! But it was worth it as I got some good footage.It was a really cold day today, and very windy. I had no tripod, but I managed to get a decent shot. Here is a rough idea of what I plan to do with my footage. Make it black and white, perhaps not this dark. I shot during the day, it was fairly bright out so I will alter the contrast to make the footage darker. I will also letterbox it, like so.
Friday, 6 February 2009
I want a million different voices speaking in tongues..
I have done my rough cut of my opening, I am now starting to think about voiceovers as I am now editing in Final Cut.
Voiceovers.
I LOVE VOICEOVERS.
They are so powerful, and I really can't wait to use one.
There are many directions I can take this in. I could use a voiceover as a character device, a creative device, or as an educational or descriptive device. I think I am warming to a creative device more than anything. I think these are usually the most effective as they are more obvious way to establish the narrative. I really like the idea of a character narrating, telling the story.
In films voice-overs are often used to create the effect of storytelling by a character/omniscient narrator. For example, in The Usual Suspects, the character of Verbal Kint has voice-over segments as he is recounting details of a crime. This film is just amazing, not JUST because Kevin Spacey is in it, it also has a really good plot twist and ending. I love everything about it. The use of voiceover throughout this film is just incredible. I strongly recommend it as a film you MUST watch before die.
Sadly, I could not find a scene on youtube which featured the powerful voiceover. But here is one of my favourite scenes from the film, the famous lineup.
This scene is just so iconic, for me. This is the scene that the director thought of first of all. I love how this scene created the concept for the whole film. It is also a very funny scene aswel, apparently when they were filming this they could not stopped laughing.
Next..this scene from Moulin Rouge!
Again, another film you MUST see before you die. It is very, very good and features a nice mix of covers. The soundtrack is awesome.
I love this scene for many reasons.
- A very good cover of a very good song
- The cinematography is AMAZING
- The editing is fantastic
And also, I remember watching this right at the start of the year in one of my media lessons.
The use of voiceover is really nice in this film. Again, it is used throughout. I think its a very strong way of establishing the narrative and allowing it stay present, if you like.
Other examples of storytelling voice overs can be heard in Gattaca, Blade Runner, The Shawshank Redemption, Big Fish and Goodfellas.
VOICEOVERS FOR THE WIN.
Voiceovers.
I LOVE VOICEOVERS.
They are so powerful, and I really can't wait to use one.
There are many directions I can take this in. I could use a voiceover as a character device, a creative device, or as an educational or descriptive device. I think I am warming to a creative device more than anything. I think these are usually the most effective as they are more obvious way to establish the narrative. I really like the idea of a character narrating, telling the story.
In films voice-overs are often used to create the effect of storytelling by a character/omniscient narrator. For example, in The Usual Suspects, the character of Verbal Kint has voice-over segments as he is recounting details of a crime. This film is just amazing, not JUST because Kevin Spacey is in it, it also has a really good plot twist and ending. I love everything about it. The use of voiceover throughout this film is just incredible. I strongly recommend it as a film you MUST watch before die.
Sadly, I could not find a scene on youtube which featured the powerful voiceover. But here is one of my favourite scenes from the film, the famous lineup.
This scene is just so iconic, for me. This is the scene that the director thought of first of all. I love how this scene created the concept for the whole film. It is also a very funny scene aswel, apparently when they were filming this they could not stopped laughing.
Next..this scene from Moulin Rouge!
Again, another film you MUST see before you die. It is very, very good and features a nice mix of covers. The soundtrack is awesome.
I love this scene for many reasons.
- A very good cover of a very good song
- The cinematography is AMAZING
- The editing is fantastic
And also, I remember watching this right at the start of the year in one of my media lessons.
The use of voiceover is really nice in this film. Again, it is used throughout. I think its a very strong way of establishing the narrative and allowing it stay present, if you like.
Other examples of storytelling voice overs can be heard in Gattaca, Blade Runner, The Shawshank Redemption, Big Fish and Goodfellas.
VOICEOVERS FOR THE WIN.
Stills from Sin City
As I am now at the stage where I am about to pay homage to Sin City's visual style, it makes sense to take a look at some stills from the film. This way I have some idea at what I'm aiming for. Plus these are what I am inspired by..
These images are edited massively, and yes I won't to create something as amazing as this but I am using these as a guideline, if you like. Everything about them are just spot-on. The dramatic chiaroscuro lighting is just amazing. I plan to letterbox my footage and alter the contrast so it's very dark.
Thursday, 5 February 2009
Title Sequence, Rough Cut!
Okay, here is my first rough edit!
It's not very good, but I think it is a good starting point.
I'm glad I did this as everything is now coming together!
I decided to create a genre piece for Dimension Films to distribute. As I am going for a Sin City style, I thought this would be a good idea. This could change, I think I'll get opinions before finalising this.
At the moment it is looking really boring, I think. Of course it is going to look loads more better once I edit in Final Cut and add in music and a voice-over. The opening shot is the character Henry, played by Alan Fairnie. The audience see a quick shot of him at a desk, it's dark and there is only one source of light. Here I was trying to create the illusion of this character staying at work after hours, establishing that he is working on something important.
It then cuts to a title credit and a quick glimpse of Claudia, played by Leanne Whittacker. I really like this teaser shot of Leanne's eye, as it does not give away too much and this is exactly what I was aiming for.
After this, we then see Alan's credit and a close-up of him running his fingers around his mouth. This here was a gag improvised by Alan. A nice film reference too. A tribute to Humphrey Bogart.
The title then appears.
At the moment it looks really unprofessional. When I edit this properly, I am going to use a better font, and also have the font appearing over the footage. My footage will be in black and white and will feature elements of red. I also plan to letterbox my footage, massively to create a real claustrophobic feeling.
Once the title fades, this is the point where the voice-over begins. We see Henry working at his desk, as it slowly zooms in Alan will begin to reveal his thoughts to us. I think this clip is either too fast or too short. I can slow this down or use another piece of footage.
He will begin to talk about Claudia and how he could use her as distraction in order to get the money. As he does this we begin to see teaser shots of Claudia. At this point we see her applying lipstick. I am very happy with this shot. It is nice and close, and just works really nicely I think.
We then return to Henry working, but this time at a different angle. He looks slightly frustrated and looks around. At this point I am going to get Alan to talk about how he could get Claudia. He then gets up and exits the frame.
Again, another cut showing even more of Claudia. I like this shot also, but not as much. I think it fits in nicely though.
Henry is now standing up, he walks over to the window and looks out. I really am happy with this shot. I love the lighting in it and the framing is wonderful.
As he is looking out of the window, Claudia walks by. In this shot you can see wires in the background as I used a fog machine. When I edit, I plan to alter the contrast and make the footage darker allowing the wires to become hidden.
He then turns away, and Claudia sparks up. As she does this, he returns to his seat. I think this is a really nice shot that is going to work well with a voiceover as he looks like he is in deep thought. I just need to ace the script and make it sound good. She then exhales.
He taps his feet. This shot represents anxiety, again this will work so much better with a voice over.
She flicks her hair, and Claudia has now been revealed!
The sequence ends with the same opening shot, but this time..panning out.
I know this is not very good but I am really happy I have done this. I can now write a better script as I have a rough idea of how my sequence is going to look. I may not stick to this order, and I may use different footage. The majority of it needs to be slower also, I think. We'll see.
I need a few more ideas on what other credits to include and what fonts to use. This is what I am going to focus on next, before editing in Final Cut Pro.
It's not very good, but I think it is a good starting point.
I'm glad I did this as everything is now coming together!
I decided to create a genre piece for Dimension Films to distribute. As I am going for a Sin City style, I thought this would be a good idea. This could change, I think I'll get opinions before finalising this.
At the moment it is looking really boring, I think. Of course it is going to look loads more better once I edit in Final Cut and add in music and a voice-over. The opening shot is the character Henry, played by Alan Fairnie. The audience see a quick shot of him at a desk, it's dark and there is only one source of light. Here I was trying to create the illusion of this character staying at work after hours, establishing that he is working on something important.
It then cuts to a title credit and a quick glimpse of Claudia, played by Leanne Whittacker. I really like this teaser shot of Leanne's eye, as it does not give away too much and this is exactly what I was aiming for.
After this, we then see Alan's credit and a close-up of him running his fingers around his mouth. This here was a gag improvised by Alan. A nice film reference too. A tribute to Humphrey Bogart.
The title then appears.
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At the moment it looks really unprofessional. When I edit this properly, I am going to use a better font, and also have the font appearing over the footage. My footage will be in black and white and will feature elements of red. I also plan to letterbox my footage, massively to create a real claustrophobic feeling.
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Once the title fades, this is the point where the voice-over begins. We see Henry working at his desk, as it slowly zooms in Alan will begin to reveal his thoughts to us. I think this clip is either too fast or too short. I can slow this down or use another piece of footage.
He will begin to talk about Claudia and how he could use her as distraction in order to get the money. As he does this we begin to see teaser shots of Claudia. At this point we see her applying lipstick. I am very happy with this shot. It is nice and close, and just works really nicely I think.
We then return to Henry working, but this time at a different angle. He looks slightly frustrated and looks around. At this point I am going to get Alan to talk about how he could get Claudia. He then gets up and exits the frame.
Again, another cut showing even more of Claudia. I like this shot also, but not as much. I think it fits in nicely though.
Henry is now standing up, he walks over to the window and looks out. I really am happy with this shot. I love the lighting in it and the framing is wonderful.
As he is looking out of the window, Claudia walks by. In this shot you can see wires in the background as I used a fog machine. When I edit, I plan to alter the contrast and make the footage darker allowing the wires to become hidden.
He then turns away, and Claudia sparks up. As she does this, he returns to his seat. I think this is a really nice shot that is going to work well with a voiceover as he looks like he is in deep thought. I just need to ace the script and make it sound good. She then exhales.
He taps his feet. This shot represents anxiety, again this will work so much better with a voice over.
She flicks her hair, and Claudia has now been revealed!
The sequence ends with the same opening shot, but this time..panning out.
I know this is not very good but I am really happy I have done this. I can now write a better script as I have a rough idea of how my sequence is going to look. I may not stick to this order, and I may use different footage. The majority of it needs to be slower also, I think. We'll see.
I need a few more ideas on what other credits to include and what fonts to use. This is what I am going to focus on next, before editing in Final Cut Pro.
Wednesday, 4 February 2009
iMovie vs Final Cut Pro
Okay, so I am now in the editing process. Flitting back and forth between iMovie and Final Cut Pro. I decided to do a first rough edit on iMovie, then later convert to Final Cut and edit it properly.
After filming Leanne, I edited the clips on iMovie.
I made the clips b/w and altered the contrast on them.
ITS VERY CHEAP LOOKING.
Then I got Callum to help me with Final Cut Pro, and we created clips paying homage to Sin City's visual style.
Of course they aren't as good but I am pretty happy with them. I think the contrast still needs some tweaking, but I'm getting there :)
After filming Leanne, I edited the clips on iMovie.
I made the clips b/w and altered the contrast on them.
ITS VERY CHEAP LOOKING.
Then I got Callum to help me with Final Cut Pro, and we created clips paying homage to Sin City's visual style.
Of course they aren't as good but I am pretty happy with them. I think the contrast still needs some tweaking, but I'm getting there :)
Screen Tests
Here are some of the screentests from Shoot #1. Before I started to film, I did a few screen tests to see how the lighting and positioning looked on camera. When I was working with Leanne and "my team", I made sure there were photographs being taken. I have posted the photographs before:
http://videokid-media.blogspot.com/2009/01/fog-machine.html
http://videokid-media.blogspot.com/2009/01/test-shots.html
so here is some of the footage.
Continuity Piece
Here is my first continuity piece I filmed. As you can see the first shot is not correct, I filmed it from the wrong angle. My actors were never free from this point on, just to spite me. So I thought instead of wasting even more time waiting around, I decided to re-shoot and edit all in one day. This time, correctly.
This time round I used different actors and a different location. My actors were more reliable and available on the day. It did not take long at all really, as I knew this time exactly what I needed to do. I am a lot more happier with this piece. It was a lot more easier the second time round also. I feel that this is a better location too, and everything fits together nicely.
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